‘Mona Lisa and the Blood Moon’ Review: Ana Lily Amirpour Arrives as a Filmmaker

“Mona Lisa and the Blood Moon” opens where any good stylishly ironic demon-out-of-water fairy-tale thriller should: in an insane asylum. That’s where Mona Lisa (Jeon Jong-seo), a catatonic waif, is seated on her knees in a straitjacket. We see right off how miserable she is; it’s there in her aura — and besides, who in […]

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